Möbius Design Studio

30/09/2026

We’re excited to share some little snippets from the process behind The Looming Council (TLC) at Amman Design Week 2026, curated by Faysal Tabbarah and commissioned by 421 Arts Campus, from 2–17 October.

TLC is a growing Graphic Library of everyday graphic traces from the region, coming together through research, collecting, connecting, and making, and taking shape as a participatory cabinet and a publication. More soon.

Amman Design Week 421.online Faysal Tabbarah فيصل طبارة

24/09/2026

We’re excited to share some little snippets from the process behind The Looming Council (TLC) at Amman Design Week 2026, curated by Faysal Tabbarah and commissioned by 421 Arts Campus, from 2–17 October.

TLC is a growing Graphic Library of everyday graphic traces from the region, coming together through research, collecting, connecting, and making, and taking shape as a participatory cabinet and a publication. More soon.

22/09/2026

A Man in a Nation, a Nation in a Man
رجل في أمة وأمة في رجل

For Print Friends at Al Markhiya Gallery at Fire Station, we responded to Yousef Ahmad’s Arab Nation Street with an homage to Gamal Abdel Nasser and the Pan-Arab identity that shaped the 1950s and 60s. We brought together fragments from his era, the 1952 Revolution, his iconic imagery, the flags and symbols of a changing Egypt, and the spirit of a time shaped by ideas of Arab unity and anti-colonialism.

The poster is our way of reflecting on how one figure can become deeply intertwined with the image of a nation, and how those images continue to live in our collective memory. A 50 × 70 cm limited-edition silkscreen, made for Print Friends alongside 13 artists from across the Arab world.

27/07/2026

For the Qasr Al Hosn retail collection, we looked to the fort itself, drawing inspiration from both its fortified exterior and the intricate architectural details hidden within. These motifs were translated into a collection of coffee cups, tumblers, hassar, tote bags, hand fans, enamel pins, toys, and printed matter, creating a visual language that carries across every piece.

Stay tuned as we share more of the collection and the stories behind the inspiration in the coming posts.

12/07/2026

For ABRA, a contemporary Emirati restaurant by Chef Sahar Parham Al Awadhi, we developed an identity inspired by the dual meanings of its name. The visual language imagines the journey of the abra through water, carried by the current and moving through time, while drawing on the magical associations of abracadabra. Water, celestial movement and Arabic letterforms became recurring motifs, carried throughout the identity from the logotype to its patterns, objects and motion.

Arabic lettering developed in collaboration with

08/06/2026

23/05/2026

Poetry and visual poems by: Shamma Al Bastaki
Cover and glossary design by: Mobius Design Studio

For House to House: بيت لبيت by Shamma Faisal Al Bastaki, we treated the book as an extension of its oral, material, and archival qualities. Rooted in oral histories surrounding Dubai Creek, the publication draws from recollection, refracted and passed between generations.

The cover’s visual language emerged through carving, stamping, tracing, and layering. Linocut textures, fragmented marks, and hand-worked surfaces were used as structural gestures tied to the book’s themes of memory, transmission, and lived routine. Throughout the publication, the Creek functions as a continuous thread, carrying the rhythms of everyday life across households, neighborhoods, and time. The title incorporates scanned lettering by Shamma’s grandfather.

Designed by Möbius Design Studio for Shamma Faisal Al Bastaki’s debut poetry collection House to House: بيت لبيت, published by ELF Publishing.

21/05/2026

For House to House by Shamma Faisal Al Bastaki, we treated the book as an extension of its oral, material, and archival qualities. Rooted in oral histories surrounding Dubai Creek, the publication draws from recollection, fragmented and passed between generations.

Its visual language emerged through carving, stamping, tracing, and layering. Linocut textures, fragmented marks, and hand-worked surfaces were used as structural gestures tied to the book’s themes of memory, transmission, and lived routine. Throughout the publication, the Creek functions as a continuous thread, carrying the rhythms of everyday life across households, neighborhoods, and time.

The book incorporates scanned lettering and sketches by Shamma’s grandfather, allowing fragments of family archive and gesture to quietly move through the book alongside the poems themselves.

Designed by Möbius Design Studio for Shamma Faisal Al Bastaki’s debut poetry collection House to House, published by ELF Publishing.

21/05/2026

For _House to House_ by Shamma Faisal Al Bastaki, we treated the book as an extension of its oral, material, and archival qualities. Rooted in oral histories surrounding Dubai Creek, the publication draws from recollection, fragmented and passed between generations.

Its visual language emerged through carving, stamping, tracing, and layering. Linocut textures, fragmented marks, and hand-worked surfaces were used as structural gestures tied to the book’s themes of memory, transmission, and lived routine. Throughout the publication, the Creek functions as a continuous thread, carrying the rhythms of everyday life across households, neighborhoods, and time.

The book incorporates scanned lettering and sketches by Shamma’s grandfather, allowing fragments of family archive and gesture to quietly move through the book alongside the poems themselves.

Designed by Möbius Design Studio for Shamma Faisal Al Bastaki’s debut poetry collection _House to House_, published by ELF Publishing.

01/04/2026

Post long overdue! So happy we got to be part of No Stitch Between Us, curated by Zawraq Collective at Contemporary Art Miracles in Qurum Commercial Area, Sultanate of Oman.

We showed a new edition of Crystal No. 6. The title references the smallest bead size, which demands the most labor. Rooted in Freej Al Murar in Dubai, the project reflects on how artisans often disappear behind ornament. Through embroidery, film, and text, it brings the makers back to the center of the story.

Photo courtesy of .collective