17/05/2026
The Serb and I enjoy the occasional wellness session – sound healing in Qudra desert, 9D Breathwork at TODA, full moon meditation at the House of Wellness, chakra alignment at Sohum, Qi Gong with Master Can. It’s a guilty pleasure.
So, when I saw an advert for “The Way of The breath – discover the ancient Japanese art of Shakuhachi” I was sold. Stick “The Way of” and “Ancient Japanese Art” into anything, and you’ve got me hook, line and sinker.
So there we were, Saturday night in an intimate apartment in Arjan with two other strangers, all nervously fi*****ng japanese bamboo flutes.
The shakuhachi for most of its history it was not really a musical instrument at all. The wandering monks of the Edo period saw it as a religious tool, and what they practised with it was suizen — blowing Zen — where the goal was never a tune but a single sound fully inhabited. It was more the process than the output.
Kyle Chomei, who led the session, has been playing for 25 years, and who I’ve had the pleasure of hearing perform in the past. He gave us an hour of his time and shared his knowledge with a generosity sincerity.
However, two things became apparent within ten minutes. Well, three things.
The first was that the instrument refuses effort. Blow harder and the note collapses into air; relax the jaw, slow the exhale, surrender the wish to produce something, and a tone emerges that you did not consciously make. Every instinct that modern living has trained into you - push, optimise, deliver, perform - turns out to be precisely the wrong one.
The second was that no two notes are ever the same, because the bamboo is irregular and life is like that, and these are not flaws to be engineered out but the entire reason the thing is worth playing.
So, not a lesson in flute playing at all, but an understanding of practice over performance, a suggestion that imperfection is not a defect and effort doesn’t always guarantee results. A Saturday evening well spent.
Oh – and the third point was that The Serb was clearly better at it than me. But luckily the output is not the priority, it’s about the journey.